It doesn’t take much imagination to understand that toys and childhood play were the guiding inspirations for the recently completed children’s sports and recreation center in Saint-Cloud, a wealthy community located in the metropolitan area of Paris, about six miles from the city center.

Designed by Paris-based KOZ Architects, and coexisting with several older educational buildings and a residential development, the 1,600 square-meter facility is unexpected and bold in its riotous use of colors both inside and out. A more typical an approach for this type of neighborhood would have been a structure that vanishes into its surroundings.

The funhouse by KOZ has turned into a favorite of kids, parents and teachers, as the facility was planned and its wild colors used in specific ways that fosters the intended functions — play and sports – and not just to shock or delight.

Joining cube-shaped, basic concrete structures with an overlay and creating a sports court on top of the building have not only increased the building’s usability and maximized the use of the site, but also accommodated the complex’s surprisingly easy fit into the site. A monolithic, monotonic approach would have created a mass much more imposing and seemingly unfriendly than the varying-height structure with its pixelated glass facade that now draws children in through color and an abundance of natural light.

KOZ was established in 1999 Christophe Ouhayoun and Nicholas Ziesel, graduates of the Paris-Belleville School of Architecture who both spent part of their childhoods in the USA. With three other architectural firms, KOZ established a collaborative collective, Plan01 in 2001. – Tuija Seipell

I found that on thecoolhunter.

Philippe Starck: motor yacht A.

Thats defo sickkkkkkkkkkk!

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With a high-profile BAPE STORE London opening just days ago, Dazed Digital conducted a short interview with A Bathing Ape founder NIGO regarding a series of noteworthy topics. Dazed Digital get the low-down on WTAPS’ Tetsuya Nishiyima’s involvment in the URSUS BAPE collection as well as some upcoming projects set for next year.

How about the new URSUS BAPE line, the collaboration with Tetsu Nishiyama of WTAPS?

Is the longevity of BAPE and Tets due to maintaining the original design ethos of the label, with WTAPS it’s the military-inspired designs?

I agree. We don’t follow trends. It always starts with the idea – let’s make something we want to make.

I remember rumors of a BAPE hotel and even BAPE airline…

There’s a Chrome Hearts (LA-based lifestyle and jewellery label) collaboration coming. I’ll probably opening more stores in Asia next year, and I’m doing a suit line that I’ve been working on for the past year that will be available at United Arrows store in Japan called Mr. A Bathing Ape.

I cant wait…

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I like the couple of new styles..more to come…stay tuned!

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A powerful entity in the world of fashion, Louis Vuitton’s reach over the years has extended much beyond its humble beginnings as a luggage brand. In its latest book release, LV’s unparalleled reach over numerous facets of society and design are outlined in its self-titled book, “Louis Vuitton: Art, Fashion and Architecture”. The book’s contents delve into the brand’s history and association with numerous personalities from the world of art, architecture, design, photography and fashion. A cornerstone of creativity, the Louis Vuitton book features 400 pages filled stunning imagery and will be available in three languages, English, French and Italian. A special deluxe version will release on September 1st, 2009 at LouisVuitton.com and at Louis Vuitton stores and features artwork by Takashi Murakami. The book is priced at $130 USD. Below is a synopsis of the book as well as a three-question interview with Yves Carcelle, Chairman and CEO of Louis Vuitton.

Louis Vuitton and Creation

A symbol of elegance and the French art de vivre, Louis Vuitton has cultivated a close relationship with the world of art since its founding in 1854. Inventing the art of travel, Louis Vuitton and his successors kept pace with a rapidly changing age, and worked with the most accomplished engineers, decorators, painters, photographers and designers of the day. This fascination with ever-new forms of expression grew through the subsequent decades and continues today under the guidance of its artistic director, Marc Jacobs; shoes, watches, jewelry and ready-to-wear collections have joined alongside the malletier’s distinctive bags and travel accessories.

Louis Vuitton’s interest in the arts began in the 1980s when it started working with painters like César, Sol LeWitt and Olivier Debré. Demonstrating the influence of art on artisanship, these richly textured collaborations became a tradition and reached a new level when Marc Jacobs joined the House in 1997. Passionate about contemporary art, Jacobs invited some of the world’s most renowned artists to join forces with Louis Vuitton, increasing the points of exchange between art and fashion to an unprecedented degree. Among these renowned partnerships, the late Stephen Sprouse, Takashi Murakami and Richard Prince even intervened directly with the House’s Monogram, freely appropriating its forms and visual identity. Collaborations between Louis Vuitton and other artists have taken a variety of forms: shop window designs, site-specific art installations for stores, exhibitions at the Espace Louis Vuitton on the top floor of the Champs-Elysées Maison, and the acquisitions of new works for the House’s own collection. In the same spirit, Louis Vuitton has called upon an international pantheon of architects to design its stores, including Jun Aoki, Kumiko Inui and Peter Marino. Advertising campaigns have also created opportunities to work with talented photographers as Jean Larivière, Annie Leibovitz, Inez Van Lamsweerde and Vinoodh Matadin.

At Louis Vuitton, the influence of art has been an obvious inspiration for new products, store architecture, artistic collaborations, and for the Maison’s advertising campaigns. Our will to build and grow our relationship with the contemporary art world has led us to work with numerous artists of our times such as photographers, architects and fashion designers. It was essential for Louis Vuitton to trace, through an enthralling anthology, its most significant artistic collaborations. In this book, the focus remains on artists that have impacted the history of Louis Vuitton.

Of all modern luxury brands, Louis Vuitton can claim to maintain the richest and most varied associations with the world of art – indeed, it is a tradition that dates back almost to the origins of the House. This desire to continuously create and reinvent, whilst maintaining and transmitting the history and identity of the brand, has been transformed into multiples collaborations, most of time quite unexpected. Constantly renewed under the influence of Marc Jacobs, Louis Vuitton’s commitment to the arts has recently been underscored by the establishment of the Louis Vuitton Foundation for Creation, announced in October 2006 by Bernard Arnault, Chairman & CEO of LVMH/Moët Hennessy.Louis Vuitton. The future Fondation will be an exciting new space and concept intended to stimulate dialogue with a wide audience and offer artists and intellectuals a platform for discussion, inspiration and reflection. If the brand inspires artists, designers and architects, they, in return, inspire Louis Vuitton. This mutual inspiration is very challenging and productive, not only for the luxury world, but also for the contemporary art world.

Fashion, luxury, art and architecture unite to propose a new vision of the world and take us away from the ordinary. Contemporary art gives us an alternative point of view. Modern architecture, inseparable from the luxury world, plays a key role in setting Louis Vuitton’s name in present time. The fashion industry and its designers give a fresh energy and a unique creativity to the House’s ready-to-wear collections. A contemporary artist, whether he is an architect, a photographer or a fashion designer, often produces unexpected creations. It is a bold challenge for Louis Vuitton and I believe that only a handful of brands have been able to surpass the boundaries to this point between luxury and contemporary creation.

A selection of 80 Artists

Haluk Akakçe, Azzedine Alaïa, Mert Alas & Marcus Piggott, Jun Aoki, Ron Arad, Arman, Gae Aulenti, Shigeru Ban, Philippe Barthélémy & Sylvia Griño, Vanessa Beecroft, Manolo Blahnik, Eric Carlson, Gilles Carnoy, César, Jaime Chard, Kirill Celuskin, Sandro Chia, Claude Closky, Patrick Demarchelier, Olivier Debré, Vincent Dubourg, Olafur Eliasson, Teresita Fernández, Sylvie Fleury, Frank Gehry, Romeo Gigli, Jean-Paul Goude, Guzman, Zaha Hadid, Hans Hemmert, Anouska Hempel, Fritz Hansen, Kumiko Inui, Arata Isozaki, Marc Jacobs, Alexey Kallima, Rei Kawakubo, David LaChapelle, Xavier Lambours, Helmut Lang, Jean Larivière, Jacques-Henri Lartigue, Ange Leccia, Annie Leibovitz, Sol LeWitt, Christian Liaigre, Michael Lin, Katherina Manolessou, Peter Marino, Raymond Meier, Miss.Tic, Isaac Mizrahi, Nicolas Moulin, Takashi Murakami, Malakeh Nayini, Jean-Jacques Ory, Martin Parr, Bruno Peinado, Fabrizio Plessi, Richard Prince, Andrée Putman, Jean-Pierre Raynaud, Razzia, Ugo Rondinone, James Rosenquist, Alberto Sorbelli, Stephen Sprouse, Philippe Starck, Sybilla, Juergen Teller, Ruben Toledo, Nicole Tran Ba Vang, James Turrell, Inez van amsweerde & Vinoodh Matadin, Julie Verhoeven, Zhan Wang, Vivienne Westwood, Tim White-Sobieski, Robert Wilson, William Adjété Wilson.

Luxury itself…

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