Dope ishhh…Keri Hilson rulezz…!
Hova covers the upcoming issue of Billboard Magazine. He goes in with Billboard about his upcoming album, his latest track about autotune and much more.
This will definitely be an issue I will buy…
It looks like Hiroshi Fujiwara will be taking his design and fashion expertise to a new book. Entitled The Essentials of Hiroshi Fujiwara and Personal Effects, the book’s title assumes that the famous Japanese fashion designer will be presenting his picks for 2009 in the world of apparel and accessories. There is no further information regarding this project, but more will surely arise in the coming weeks.
Louis Vuitton and Creation
A symbol of elegance and the French art de vivre, Louis Vuitton has cultivated a close relationship with the world of art since its founding in 1854. Inventing the art of travel, Louis Vuitton and his successors kept pace with a rapidly changing age, and worked with the most accomplished engineers, decorators, painters, photographers and designers of the day. This fascination with ever-new forms of expression grew through the subsequent decades and continues today under the guidance of its artistic director, Marc Jacobs; shoes, watches, jewelry and ready-to-wear collections have joined alongside the malletier’s distinctive bags and travel accessories.
Louis Vuitton’s interest in the arts began in the 1980s when it started working with painters like César, Sol LeWitt and Olivier Debré. Demonstrating the influence of art on artisanship, these richly textured collaborations became a tradition and reached a new level when Marc Jacobs joined the House in 1997. Passionate about contemporary art, Jacobs invited some of the world’s most renowned artists to join forces with Louis Vuitton, increasing the points of exchange between art and fashion to an unprecedented degree. Among these renowned partnerships, the late Stephen Sprouse, Takashi Murakami and Richard Prince even intervened directly with the House’s Monogram, freely appropriating its forms and visual identity. Collaborations between Louis Vuitton and other artists have taken a variety of forms: shop window designs, site-specific art installations for stores, exhibitions at the Espace Louis Vuitton on the top floor of the Champs-Elysées Maison, and the acquisitions of new works for the House’s own collection. In the same spirit, Louis Vuitton has called upon an international pantheon of architects to design its stores, including Jun Aoki, Kumiko Inui and Peter Marino. Advertising campaigns have also created opportunities to work with talented photographers as Jean Larivière, Annie Leibovitz, Inez Van Lamsweerde and Vinoodh Matadin.
At Louis Vuitton, the influence of art has been an obvious inspiration for new products, store architecture, artistic collaborations, and for the Maison’s advertising campaigns. Our will to build and grow our relationship with the contemporary art world has led us to work with numerous artists of our times such as photographers, architects and fashion designers. It was essential for Louis Vuitton to trace, through an enthralling anthology, its most significant artistic collaborations. In this book, the focus remains on artists that have impacted the history of Louis Vuitton.
Of all modern luxury brands, Louis Vuitton can claim to maintain the richest and most varied associations with the world of art – indeed, it is a tradition that dates back almost to the origins of the House. This desire to continuously create and reinvent, whilst maintaining and transmitting the history and identity of the brand, has been transformed into multiples collaborations, most of time quite unexpected. Constantly renewed under the influence of Marc Jacobs, Louis Vuitton’s commitment to the arts has recently been underscored by the establishment of the Louis Vuitton Foundation for Creation, announced in October 2006 by Bernard Arnault, Chairman & CEO of LVMH/Moët Hennessy.Louis Vuitton. The future Fondation will be an exciting new space and concept intended to stimulate dialogue with a wide audience and offer artists and intellectuals a platform for discussion, inspiration and reflection. If the brand inspires artists, designers and architects, they, in return, inspire Louis Vuitton. This mutual inspiration is very challenging and productive, not only for the luxury world, but also for the contemporary art world.
Fashion, luxury, art and architecture unite to propose a new vision of the world and take us away from the ordinary. Contemporary art gives us an alternative point of view. Modern architecture, inseparable from the luxury world, plays a key role in setting Louis Vuitton’s name in present time. The fashion industry and its designers give a fresh energy and a unique creativity to the House’s ready-to-wear collections. A contemporary artist, whether he is an architect, a photographer or a fashion designer, often produces unexpected creations. It is a bold challenge for Louis Vuitton and I believe that only a handful of brands have been able to surpass the boundaries to this point between luxury and contemporary creation.
Vogue Nippon and Comme des Garcons celebrated last night the opening of their new collaborative “Magazine Alive” pop-up store. Housed in the same space that recently saw the Comme des Garcons x Louis Vuitton collaboration, the store presents a multitude of collaborative exclusive items with luxury brands from around the globe.
“Vogue Nippon and Comme des Garcons’ feted their new temporary store “Magazine Alive” in Tokyo’s Aoyama district Wednesday evening, attracting a large crown of fashion editors, Takashi Murakami and a camera-shy Rei Kawakubo and Junya Watanabe. The space- the same one the Japanese brand used for its one-off Louis Vuitton boutique- sells an intriguing mix of fashion and accessories, from t-shirts bearing the manga likeness of Hedi Slimane, Marc Jacobs and Donatella Versace, to silk gowns from Undercover, knits from Martin Margiela and transparent plastic handbags from Loewe. The content of the store will change from month to month to coincide with the contents of each new issue of Vogue until “Magazine Alive” finishes its run in November. In keeping with the July’s manga-themed issue, Murakami decorated the second floor of the store with his signature flowers while Karl Lagerfeld crafted an original window display featuring mannequins clad in silver lame and miniature dolls in quilted get ups. “His face is like a manga,” quipped Adrian Joffe, CdG’s managing director and Kawakubo’s husband, as Murakami hammed it up for the cameras.”
It seems like the space is well worth a visit. You will find Murakami art, store exclusive items and a lot more. It will stay open until November and until then change every month to coincide with the content of each issue of Vogue Nippon.
A great concept…
